1913 Massacre

December 2009
by Woody Guthrie
performed by Lee Murdock




Funeral procession on Pine Street, heading west to Lakeview Cemetery. Hearses are in the crowd. Photo courtesy of Copper Country Reflections Click for pop-up

The Italian Hall disaster (sometimes referred to as the 1913 massacre) is a tragedy which occurred on December 24, 1913 in Calumet, Michigan. Seventy-four men, women, and children, mostly striking mine workers and their families, were crushed to death when someone falsely yelled "fire" at a crowded Christmas party.

Background

The Calumet and Hecla Mining Company C&H was formed from the consolidation of the Calumet and Hecla mining companies in 1871. It was the single largest copper mining company in Michigan's copper country. One of the longest and most disastrous strikes in the copper country took place in 1913, and included all the C&H mines. The strike was the result of many factors, but the most immediate cause was the replacement of the two-man drill with the one-man drill. Prior to this innovation, blast holes were drilled by hand, with one person holding a drill and two others striking it with sledgehammers. The mechanical drills were introduced to cut costs, breaking up family groups which worked together in the mine and eliminating jobs. Wages also played an important role in causing the strike. The amount of wages paid to each worker was based on the depth of penetration into the mines made by each group each day. Miners were usually paid US$2.75 a day for ten hours of work but a select few earned $4. Working conditions also contributed: work days were usually 12 hours long; boys 12 years of age were employed deep in mines to carry drill rods to the drilling teams working 600ft deep in the mines. The strike went on for about 5 months before Christmas.

The Disaster

On Christmas Eve many of the striking miners and their families had gathered for a Christmas party sponsored by the Western Federation of Miners. It is estimated that there were over five hundred people at the party which was held on the second floor of Calumet's Italian Hall. A steep stairway was the only way to the second floor, although there was a poorly-marked fire escape on one side of the building and ladders down the back of the building which could only be reached by climbing through the windows.

Funeral procession near the Tamarack #5 shaft. Tamarack hill is visible in right background. Photo courtesy of Copper Country Reflections Click for pop-up

The tragedy began when someone yelled "fire." People panicked and rushed for the stairs. In the ensuing melee seventy-three people (including fifty-nine children) were killed. There was no fire. To date it has not been established who cried "fire" and why. The most common theory is that "fire" was called out by the anti-union company management to disrupt the party.

There were several investigations into the disaster. The first, by the coroner, contained serious errors. Witnesses who did not speak English were forced to answer questions in English; most witnesses were not asked follow up questions. It appears that many witnesses who were called had not seen what happened. After three days, the coroner issued a ruling that did not give a cause of death -- the only actual job of the coroner -- but instead cleared those viewed as the obvious culprits: out-of-town strike breakers. Until recently, the transcript of the inquest was not widely available, so people could not evaluate the ruling of the coroner. There are now copies of the inquest available for researchers to examine.

A common story regarding the fire states that the doors at the bottom of the Italian Hall's stairs opened inward. According to the story, when the fleeing party goers reached the bottom of the stairs, they pressed up against the doors which only opened inward, causing many people to be crushed. The theory appears to have first emerged in the 1950's. All photos of the doors suggest a double set of doors with both sets opening outward. The first printed mention of the doors opening inward was in the 1952 book Red Metal by C. Harry Benedict. The doors were not mentioned as a contributing factor at the December 1913 coroner's inquest, the 1914 subcommittee hearing, or in any of the newspaper stories of the time.

Aftermath

After the first wave of grief had passed following the tragedy, while there was bitterness against the company, it was considerably greater against an organization known as the Citizens Alliance (the "Alliance"). The Alliance was funded by mine management and actively opposed the union and the strike. Knowing what poor condition the strikers were in, the Alliance took steps that purported to help the families. It offered money to the union, telling union leaders to spend it as they wished.

Miners pose with lunch pails in hand on a pile of "poor rock" (waste rock) outside of the Tamarack mineshaft. In the background is the Tamarack #5 Shaft-Rockhouse. This mine was one of the most productive mines in w:Copper Country. The men are carrying lunch pails, but some have not yet changed their street clothes for work clothes (or perhaps have already changed to go home, depending on whether they are going to work or going home from work). Date: 1905. Author: Adolph F. Isler (1848-1912); dust cleaned up by Howcheng. Source: Keweenaw National Historical Park => archives, Jack Foster Collection. Click for pop-up.

The Alliance's offer was not unconditional. Rather, it insisted that Charles Moyer, president of the Western Federation of Miners, publicly exonerate the Alliance of all fault in the tragedy. Moyer refused. Rather than provide such an exoneration, Moyer announced that the Alliance was responsible for the catastrophe, claiming that an Alliance agent yelled the word “fire”. The Alliance assaulted Moyer in nearby Hancock, shot and kidnapped him. They placed him on a train with instructions to leave the state and never return. After getting medical attention in Chicago (and holding a press conference where he displayed his gunshot wound) he returned to Michigan to continue the work of the WFM.

The disaster gave additional life to the strike, as rumors flew about the identity of the man who yelled "Fire!". However, support for the strike declined as organizers left (or were forced to leave) the Copper Country, the WFM ran out of money, and strikers' families experienced great hardships during the winter. The strikers voted to end the strike on April 13, 1914. Mining companies required all strikers seeking a return to work to turn in or destroy their WFM membership cards.

The strike was mostly unsuccessful in achieving its major goals. The mining companies continued introducing the one man drill, which eventually became a standard in all Copper Country mines. Collective bargaining was thoroughly rejected by the mines, leaving miners at the whim of the companies. Many miners simply left the Copper Country, or else returned to the mines for which they formerly worked on the mines' terms.

However, many Copper Country mines did introduce an 8 hour day partway through the strike, for the miners who had stayed to work for them. This continued after the strike, when national labor legislation required shorter workdays. Labor legislation also limited use of child labor and mandated higher daily wages for miners and trammers. All mines eventually changed to a daily wage, leaving behind the old family-group contract system entirely.

The strike is often considered a major turning point in the history of the Copper Country. Even though the mines were successful in the short term, the strike had demonstrated that mines could actually be affected by collective action. The strike also marked the end of the old paternalism of the mining companies. Workers' lives were no longer watched by the mines, and the mines cut back many services which they previously provided.

The Italian Hall four days after the disaster. The doorway is visible on the left. Photo courtesy of Copper Country Reflections. Click for pop-up.

The mines of the Copper Country were finally unionized many years later. The International Union of Mine, Mill, and Smelter Workers (IUMMSW-CIO), a successor of the WFM, unionized the Copper Range Company mines in 1939, the Quincy Mine in 1941, and Calumet and Hecla mines in 1943, after several interventions by the National Labor Relations Board. A combination of low copper prices, depleted mines, competition from newer and richer mines, and continuing labor troubles eventually closed all of the Copper Country Mines. Calumet & Hecla closed its mines in 1969 after failing to reach an agreement with striking employees. That left the White Pine mine as the only remaining Copper Country mine in production; the White Pine mine closed in 1995.

The Italian Hall has since been demolished, and only the archway remains from that day, although a state historical marker was erected in 1987. The marker incorrectly states that the tragedy was partially caused by inward opening doors. The Michigan Department of History Arts and Libraries has indicated that it will replace the marker to correct that error.

The event was immortalized by Woody Guthrie in 1913 Massacre, which claims that the doors were held shut on the outside by scabs.

Sources: http://en.wikipedia.org/wiki/1913_massacre, http://en.wikipedia.org/wiki/Copper_Country_Strike_of_1913-1914.




1913 Massacre

Take a trip with me in 1913,
To Calumet, Michigan, in the copper country.
I will take you to a place called Italian Hall,
And the miners are having their big Christmas ball.

I will take you in a door and up a high stairs,
Singing and dancing is heard everywhere,
I will let you shake hands with the people you see,
And watch the kids dance around the big Christmas tree.

The Italian Hall was razed in 1984. The original doorway arch was left standing as a memorial to those who lost their lives. Photo courtesy of Copper Country Reflections. Click for pop-up.

You ask about work and you ask about pay,
They'll tell you they make less than a dollar a day,
Working the copper claims, risking their lives,
So it's fun to spend Christmas with children and wives.

There's talking and laughing and songs in the air,
And the spirit of Christmas is there everywhere,
Before you know it you're friends with us all,
And you're dancing around and around in the hall.

A little girl sits down by the Christmas tree lights,
To play the piano so you gotta keep quiet,
To hear all this fun you would not realize,
That the copper boss' thug men are milling outside.

The copper boss' thugs stuck their heads in the door,
One of them yelled and he screamed, "there's a fire,"
A lady she hollered, "there's no such a thing.
Keep on with your party, there's no such a thing."

A few people rushed and it was only a few,
"It's just the thugs and the scabs fooling you,"
A man grabbed his daughter and he carried her down,
But the thugs held the door and he could not get out.

And then others followed, oh a hundred or more,
But most everybody remained on the floor,
The gun thugs they laughed at their murderous joke,
While the children were smothered on the stairs by the door.

Such a terrible sight I never did see,
We carried our children back up to their tree,
The scabs outside still laughed at their spree,
And the children that died there were seventy-three.

The piano played a slow funeral tune,
And the town was lit up by a cold Christmas moon,
The parents they cried and the miners they moaned,
"See what your greed for money has done."



Personnel: Lee Murdock, lead vocal, 12-string guitar, producer; Jim Cox, bass; Jeff Thomas, percussion; Jacquie Manning, Rich Prezioso, background vocals; Mark Karney, sound, producer.


 

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The Nickel Under The Foot
Marc Blitzstein
Personnel:  Marc Blitztein, vocals, piano;
Leonard Lehrman, liner notes, co-producer; Bruce
Yeko, co-producer; Da-Hong Seetoo, remastering;
Blitzstein Archives of the State Historical
Society in Madison Wisconsin, owner of original
acetate April 2006
Marc Blitzstein
The Nickel Under The Foot
Marc Blitzstein
Photo: Unknown
March 2006
Judy Gorman
Step By Step
American Miners Association,
Waldeman Hille,  Pete Seeger
Personnel:  Judy Gorman, vocals, guitar,
arrangements, producer; Bob Furgo, violin;
Dave Kilner, bass; Mark Hurwitt, cartoon,
photo, producer; Stanley John Mitchell,
background instrumentation, arrangements,
mixing, producer; Sylvia Arana, Spanish
translation. March 2006
Judy Gorman
Step By Step
American Miners Association, Waldeman Hille,
Pete Seeger
Cartoon: Mark Hurwitt
February 2006
John Handcox
The Planter And The Sharecropper
John Handcox
Other personnel: Recording, Charles Seeger,
Sidney Robertson; engineer, Mark Poole,
Zone 8 Recording. February 2006
John Handcox
The Planter And The Sharecropper
John Handcox
Photo: Evelyn Munro Smith
January 2006
Lynn Marie Smith
U.N.I.O.N.
Henri Belolo, Jacques Morali, Lynn Marie Smith 
Other personnel: Terry Miles, music;
Raymond Wimbley, engineering and mixing January 2006
Lynn Marie Smith
U.N.I.O.N.
Henri Belolo, Jacques Morali, Lynn Marie Smith
Photo: Rebecca Cook
December 2005
John McCutcheon
Christmas In The Trenches
John McCutcheon
Other personnel:  Freyda Epstein, violin;
Howard Levy, harmonica;
Lorraine Duisit, mandolin;
Ralph Gordon, cello, bass;
Bill McElroy, engineer;
John McCutcheon, Paul Reisler, producers. December 2005
John McCutcheon
Christmas In The Trenches
John McCutcheon
Drawing: Frederice Villiers
November 2005
Davis Gloff, Michael Carluccio, Larry Schrock
Radio, Guns, and Money
Steve Jones
Other personnel:  Bill Meyer, piano;
Hubie Crawford, bass; Charles Stuart,
drums; Elise Bryant, director; Dave
Elsila, Lisa Canada, producers; Rayse
Biggs, Jazz Miller, sound; W. DeLappe,
Holly Syrrakos, art. November 2005
Davis Gloff, Michael Carluccio, Larry Schrock
Radio, Guns, and Money
Steve Jones
Poster: W. DeLappe, Holly Syrrakos
October 2005
Chris Chandler, David Roe
The Pageant of the Paterson Silk Strike
Chris Chandler, Lisa Stolarski
John Henry's Slow Rag
David Roe
Other personnel:  David Roe, piano,
snare, vocal; Thomas Nuendel, violin;
Thomas Falcone, clarinet; Justin Nurin,
cornet; Henry Cross, bass October 2005
Chris Chandler, David Roe
The Pageant of the Paterson Silk Strike
Chris Chandler, Lisa Stolarski
John Henry's Slow Rag
David Roe
Poster: Robert Edmund Jones
September 2005
Brooklyn Women's Chorus
We Were There
Bev Grant
Other personnel:  Bev Grant, lead vocal,
guitar; Barry Kornhauser, electric bass;
Bruce Markow, electric guitar; Robin
Burdulis, percussion; Jeff Van Nostrand,
keyboards; Jeff Van Nostrand, Don Jacobs,
Peter Karl, sound. September 2005
Brooklyn Women's Chorus
We Were There
Bev Grant
Ceramic mask: Geri Gventer
August 2005
Anne Feeney
Shut 'Cha Down
Anne Feeney
Other personnel: Steve Jones, piano; Rafael
Herrera, Pam Parker, Janet Stecher, harmony
vocals. August 2005
Anne Feeney
Shut 'Cha Down
Anne Feeney
Photo: United Airlines
July 2005
Francisco Javier Herrera
La Tierra
Eduardo Robledo
Other personnel: Glen White, sound. July 2005
Francisco Javier Herrera
La Tierra
Eduardo Robledo
Photo: Ellis Boal
June 2005
Si Kahn
He Lies In The American Land
Andrew Kovaly / Pete Seeger
Other personnel: Joost van Es, fiddle;
Pieter Groenveld, Jesse Kahn, sound. June 2005
Si Kahn
He Lies In The American Land
Andrew Kovaly / Pete Seeger
Photo: It's All Relative
May 2005
Luci Murphy, Pam Parker
Mother's Day
Peter Jones
Other personnel: Scott Giambusso, bass;
Richard Miller, guitar; Steve Jones, piano;
Francis Thompson, drums; Ken Giles,
five-string viola; Gantt Kushner, Bill Wolf,
sound. May 2005
Luci Murphy, Pam Parker
Mother's Day
Peter Jones
Publicity photos
April 2005
Angel Martinez
Memoirs of Bernardo Vega
Other personnel: Juan Flores, translator;
César Andreu Iglesias, editor. April 2005
Angel Martinez
Memoirs of Bernardo Vega
Bernardo Vega, Juan Flores, César Andreu Iglesias
Photo: Unknown
March 2005
Pam Parker
We Speak Louder Than Machines
Steve Jones
Other personnel: Steve Jones, piano, harmony
vocals; Francis Thompson, drums; Scott
Giambusso, bass. March 2005
Pam Parker
We Speak Louder Than Machines
Steve Jones
Photo: Jim West
February 2005
Maria Dunn,
Troublemaker
Maria Dunn
Other personnel:  Shannon Johnson, David
Ward, Dawn Anderson, harmony vocals. February 2005
Maria Dunn
Troublemaker
Maria Dunn
Photo: Glenbow Archives
January 2005
The Troublemakers
Troublemakers Theme
Pauly Gailiunas
Personnel: Wendy Treat, keyboards; Chris
Repaal, bass; Paul Gailiunas, guitar; Keith
Rogers, drums; Yoni Mazuz, saxaphone;
Patrick Farrell, trumpet; John Buxbaum,
bass; Cassandra Burrows, saxaphone. January 2005
The Troublemakers
Troublemakers Theme
Pauly Gailiunas
Graphic: Ricardo Levins Morales
December 2004
Joe Jencks
Christmas In Mansfield
Joe Jencks
Other personnel: Cary Black, upright bass;
Will Dowd, drums; David Lange, accordian. December 2004
Joe Jencks
Christmas In Mansfield
Joe Jencks
Painting: Ray Tapajna
November 2004
Kelly Wideman
A Capella Banjo
Samuel Augustus Ward, Katherine Lee
Bates, Earl Scruggs November 2004
Kelly Wideman
A Capella Banjo
Samuel Augustus Ward, Katherine Lee Bates, Earl Scruggs
Photo: Jim West
October 2004
Chris Bricker, George B, Utah Phillips,
Marty Confurius, George Mann, Julius
Margolin, Alan Podber, Scott Supeck
Hail To The Thief / Stupid's Pledge / I'm
George W
George Mann, James Sanderson, Utah
Phillips, Stephen Foster October 2004
Chris Bricker, George B, Utah Phillips, George Mann
Hail To The Thief / Stupid's Pledge / I'm George W
George Mann, James Sanderson, Utah Phillips, Stephen Foster
Cover art: Quenton of rushlimbaughonline.com
September 2004
Laurel Blaydes, Joe Jencks, Chapman
Zon What Will I Leave Behind /If I
Had A Golden Thread,
Si Kahn, Pete Seeger September 2004
Laurel Blaydes, Joe Jencks, Chapman Zon
What Will I Leave Behind / If I Had A Golden Thread
Si Kahn, Pete Seeger
Photo: Jim West
August 2004
Utah Phillips
1910 Spokane Free Speech Fight
Utah Phillips August 2004
Utah Phillips
1910 Spokane Free Speech Fight
Utah Phillips
Photo: Roger Leisner
July 2004
Dave Lippman
I Hate Wal-Mart
Dave Lippman
Sister Swing (Valerie Marston, Leigh
Hannah, Paula Chafey), backup vocals;
Bob Pearce, mandolin; Pat Balcom, drums;
Joe Lev, bass; Bruce Bolin, sound. July 2004
Dave Lippman
I Hate Wal-Mart
Dave Lippman
Photo: Jim West
June 2004
Finland Station
Unemployment Compensation Blues
Les Pine, Jerry Silverman
Personnel: Janet Goldwasser, guitar; Jean
Rooney, trombone; Ellis Boal, bass; Gary
Benjamin, Susan Newell, duet; Carl Robinson,
drums; Elise Bryant, director; Mike
Iacapelli, sound. June 2004
Finland Station
Unemployment Compensation Blues
Les Pine, Jerry Silverman
Photo: Dorothea Lange, Farm Security Administration
May 2004
John McCutcheon
What It's Like
Other personnel: Bobby Read, synthesizers,
Tom Jones, percussion. May 2004
John McCutcheon
What It's Like
John McCutcheon
Photo: Hormel Foods
April 2004
Pete Seeger & Tao Rodriguez-Seeger
A Little A' This 'N' That
Pete Seeger
Jim Musselman, Peter Lewis, Jim Lovell,
sound. April 2004
Pete Seeger & Tao Rodriguez-Seeger
A Little A' This 'N' That
Pete Seeger
March 2004
Charlie King & Karen Brandow
Moving Day / We Shall Not Be Moved
Fred Stanton / Traditional
Jonathan Lufersweiler, Justin Metz, sound. March 2004
Charlie King & Karen Brandow
Moving Day / We Shall Not Be Moved
Fred Stanton / Traditional
Photo: Unknown
February 2004
Fruit Of Labor
Solidarity
Fruit Of Labor
Personnel: Rick Scott, Angaza Sababu
Laughinghouse, Nathanette Mayo, Yara
Hakeem, Sauuda Eshe, Kathy Blount;
Babyjack Records, sound. February 2004
Fruit Of Labor
Solidarity
Fruit Of Labor
January 2004
Tom Juravich
Ring Some Changes
Tom Juravich
Other personnel: Duke Levine, guitar;
Richard Gates, bass; Lorne Entress,
drums; Rani Arbo, vocal harmony. January 2004
Tom Juravich
Ring Some Changes
Tom Juravich
Photo: Ellis Boal
December 2003
Anne Feeney
War On The Workers
Anne Feeney
Other personnel: Jon Fromer, Janet
Stecher, Susan Lewis, vocals; Sam
Bacco, drums; Charlie Chadwick, bass. December 2003
Anne Feeney
War On The Workers
Anne Feeney
Photo: Jim West
November 2003
Rebel Voices
Hospital Workers
Paul McKenna
Personnel: Janet Stecher, Susan Lewis, vocals. November 2003
Rebel Voices
Hospital Workers
Paul McKenna
Photo: Ellis Boal
October 2003
Águila Negra
El Mojado
Flaco Jimenez
Personnel: Baldemar Velasquez, vocals,
guitar; Jesse Ponce, accordian; Jacob
Estrada, bass, harmony vocals. October 2003
Águila Negra
El Mojado
Flaco Jimenez
Photo: Jim West
September 2003
Joe Uehlein
Jerusalem
Steve Earle
Other personnel: Bev Grant, Pam Parker,
Anne Feeney, harmony vocals. September 2003
Joe Uehlein
Jerusalem
Steve Earle
Photo: Ellis Boal
August 2003
AFT Singers
We're An On-Time Union
Dottie Peoples, Gloria Britton-Ellis
Personnel: Renette Brown, Sharon Chambers,
Gloria Britton-Ellis, Sharon Wilson,
Linda Baldwin. August 2003
AFT Singers
We're An On-Time Union
Dottie Peoples, Gloria Britton-Ellis
Photo: Michael Campbell
July 2003
Jon Fromer, Francisco Herrera
I Cannot Sleep
Malvina Reynolds July 2003
Jon Fromer, Francisco Herrera
I Cannot Sleep
Malvina Reynolds
Photo: Ellis Boal
June 2003
Pat Wynne
Toxic Dreams
Pat Wynne June 2003
Pat Wynne
Toxic Dreams
Pat Wynne
Photo: Pat Wynne
May 2003
Susan Lewis, Janet Stecher, Luci Murphy
Mean Things Happening / Roll The Union On
John Handcox
Ain't You Got A Right
Guy Carawan May 2003
Susan Lewis, Janet Stecher, Luci Murphy
Mean Things Happening / Roll The Union On
Ain't You Got A Right

John Handcox, Guy Carawan
Photos: Labor Heritage Foundation, Highlander Center
April 2003
George Mann & Julius Margolin
If I Only Had A Brain
Harold Arlen, Yip Harburg, George Mann
Other personnel: Alan Podber, resonator
slide guitar; Lou Holtzman, sound. April 2003
George Mann & Julius Margolin
If I Only Had A Brain
Harold Arlen, Yip Harburg, George Mann
Photo: White House
March 2003
Ray Korona
The People Are In Charge
Ray Korona March 2003
Ray Korona
The People Are In Charge
Ray Korona
Album cover: David Beyda
February 2003
Charlie King
One Puppet Town
Charlie King February 2003
Charlie King
One Puppet Town
Charlie King
Album cover: Mark Hurwitt
January 2003
Pat Humphries
No Sweat
Bev Grant January 2003
Pat Humphries
No Sweat
Bev Grant
Graphics: Margaret Randall, Pat Humphries
December 2002
David King
Reindeer Games
David King December 2002
David King
Reindeer Games
David King
Doll: Linda Anderson
November 2002
Bev Grant
Labor Of Love
Bev Grant November 2002
Bev Grant
Labor Of Love
Bev Grant
October 2002
Charlie Ray Fetty III
The Mobile Inspirational
Charlie Ray Fetty III October 2002
Charlie Ray Fetty III
The Mobile Inspirational
Charlie Ray Fetty III
Colorado state fair parade float: USWA Local 2102
September 2002
Joe Glazer
The Mill Was Made Of Marble / I
Ain't No Stranger Now
Joe Glazer September 2002
Joe Glazer
The Mill Was Made Of Marble / I Ain't No Stranger Now
Joe Glazer






Songs not otherwise attributed were recorded at the annual Great Labor Arts Exchange in 2001, 2003, 2004, or 2005 at the National Labor College/George Meany Center, Silver Spring, Maryland. Engineers: Bob Barnes, Ellis Boal, Charlie Ray Fetty III, Joe Jencks, Ray Korona, George Mann, Dave Sless, Isaac Wilson.

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