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The attempt of the United Mine Workers to organize the coal industry in Harlan County in the 1930s resulted in outbreaks of violence, drawing national attention. In 1937 a US Senate subcommittee began an investigation into allegations that workers' civil rights were being violated. Further violence ensued. The governor sent the National Guard in to protect the owners' property. Victory came in 1939 when the UMW was recognized as bargaining agent for most of the state's miners.
This storied song arises from the early part of that period. Guy Carawan of the Tennessee Highlander Center introduces it this way:
One song, goes way back in Highlander's history -- and the woman who wrote it Florence Reece is still living, she's about 80 years old, lives in Knoxville -- is "Which Side are You On?" And she wrote that back in the 30s when the gun thugs tried to murder her husband for trying to organize a union up in Harlan County...."
Edith Fowke and Joe Glazer tell it like this:
The bloodiest battles to build a union have been in the coal fields -- in Pennsylvania, West Virginia, Illinois, Colorado, and Kentucky. And surely the toughest and meanest of all the coal field where men fought for a voice and a place in the sun was "Bloody Harlan" in Kentucky.
...
In 1931, coal miners in Harlan County were on strike. Armed company deputies roamed the countryside, terrorizing the mining communities, looking for union leaders to beat, jail, or kill. But coal miners, brought up lean and hard in the Kentucky mountain country, knew how to fight back, and heads were bashed and bullets fired on both sides in Bloody Harlan.
It was this kind of class war -- the mine owners and their hired deputies on one side, and the independent, free-wheeling Kentucky coal-miners on the other -- that provided the climate for Florence Reece's "Which Side Are You On?" In it she captured the spirit of her times with blunt eloquence.
Mrs. Reece wrote from personal experience. Her husband, Sam, was one of the union leaders, and Sheriff J. H. Blair and his men came to her house in search of him when she was alone with her seven children. They ransacked the whole house and then kept watch outside, ready to shoot Sam down if he returned.
One day during this tense period Mrs. Reece tore a sheet from a wall calendar and wrote the words to "Which Side Are You On?" The simple form of the song made it easy to adapt for use in other strikes, and many different versions have circulated.
The tune is usually said to be an old Baptist Hymn, "Lay the Lily Low," but the British folklorist, A. L. Lloyd, points out its similarity to that of the British ballad, "Jack Munro," which uses "Lay the Lily Low" as a refrain.
If you don't want your husband to die in the coal mine,
I'll see you in the morning out on the picket line.
Which side are you on? Which side are you on?
Which side are you on? Which side are you on?
They say in Harlan County there are no neutrals there,
You'll either be a union man or a thug for J. H. Blair.
Which side are you on? Which side are you on?
Which side are you on? Which side are you on?
Don't scab for the bosses, don't listen to their lies.
People haven't got a chance unless they organize.
Which side are you on? Which side are you on?
Which side are you on? Which side are you on?
Come all of you good people, good news to you I'll tell.
How the Miners Union has come in here to dwell.
Which side are you on? Which
side are you on?
Which side are you on? Which
side are you on?
You don't want your husband to
die in the coal mine,
I'll see you in the morning out
on the picket line.
Which side are you on? Which
side are you on?
Which side are you on? Which
side are you on?
Personnel: Guy Carawan, vocals, banjo; Doug Dorschug, recording; Doug Dorschug, Sonny Houston, Lynn Brown, mixing.
From Sparkles and Shines CD. Buy it.
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Songs not otherwise attributed were recorded at the annual Great Labor Arts Exchange in 2001, 2003, 2004, or 2005 at the National Labor College/George Meany Center, Silver Spring, Maryland. Engineers: Bob Barnes, Ellis Boal, Charlie Ray Fetty III, Joe Jencks, Ray Korona, George Mann, Dave Sless, Isaac Wilson.
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